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REVIEWS

El Economista Newspaper, Mexico. 2007
Allegro Molto – Triumph for José Areán

The fourth programme of the Minería Symphony Orchestra (OSM), which
took place last Saturday before an audience that filled the
Nezahualcóyotl Hall, was yet another triumph in the long concert
career of Jorge Federico Osorio.
(…) But a bigger triumph still was José Areán's, Associate Conductor
of the OSM (…)
In the first work of the programme, Stravinsky's Second Suite for
small orchestra, Areán exalted the playful character of this delicious
music, seemingly unimportant, but worthy of the immense genius of the
composer. Nevertheless, he gave the true proof of his mastery on the
podium with Beethoven's Third Symphony, the Eroica.

This work, so often performed in our concert halls to the degree of
running the danger of provoking boredom, was conducted with such
renewed dramatic character, that this critic felt momentarily to be
listening to it for the first time. The pianissimi were a whisper; the
forti, electrifying.

Were one to highlight a moment of exceptional excellence on the part
of the players, this critic would mention the imitative horn passage
of the third movement, Scherzo: allegro vivace.

The given encore set a contrast to the vibrating symphony: "Last
Spring" by Grieg, that Norwegian composer with a melodic vein
reminiscent of Tchaikovsky. Even in the selection of this piece was
José Areán fortunate (…) this conductor has still his hands full of
surprises.

José Alfredo Páramo
aparamo@gmail.com

Basler Landschaftszeitung Newspaper, Basel, Switzerland. 2006
European premiere of the chamber opera "En susurros los muertos", by Gualtiero Dazzi...
Under José Areán's conducting, the musicians of the Basel Phoenix Ensemble expressed the elegance, the emotionality of the music, with all its colours and richness... A wonderful work of art found its fitting performance.
Christian Fluri
Les Dernières Nouvelles D'Alsace Newspaper, Strasbourg, France. 2006
European premiere of the chamber opera "En susurros los muertos", by Gualtiero Dazzi...
The other triumphs of the evening.... were the Swiss Ensemble Phoenix, a six-voice choir from La Chapelle Rhénane... and the incisive conducting of José Areán... An efficiency guaranteed by the conjunction of formidable performers.
Christian Fruchart
DONIZETTI: L'ELISIR D'AMORE: Mexico 2000- Villazon, Gonzales, Daza
As of early 2005, however, fans of opera on DVD have nothing from the major outlets that allows them to view (Rolando) Villazón's phenomenon as well as hear it... Premiere Opera comes to the rescue: a 2001 performance, from Mexico of Donizetti's beloved comic masterpiece L'elisir d'amore...True devotees of great contemporary singing will want this document of Villazón at the start of his career...José Areán leads the orchestra in a lively, well-detailed performance (the audio is very good)...
Chris Mullins
Reforma Newspaper, Mexico, 2000
The Visitors… José Areán, conductor of the recording and all of the performances above mentioned, achieves with this work an enormous and certain stride towards his first artistic maturity. Unrelenting control, precise dominion of each centimetre of this immense and awe-inspiring work, pragmatic flexibility and full support to his soloists and musicians. One cannot ask for more.
By Gerardo Kleinburg
Opera Actual Magazine, Spain, 2000
…this performance [of The Visitors] was conducted by José Areán with enormous dramatic sense and tension…
Ramón Jacques
Reforma Newspaper, Mexico, 1999
Elisir d'amor… A conductor of high and intricate goals -one can mention his marteau sans maître or his Visitors-, José Areán knew how to emulate the playful tone that Del Riego proposed [in his staging]… he preferred vertiginous tempi that contributed very much to this hilarious Elisir…
By Lázaro Azar
Scherzo Magazine, Spain, 1999
Areán [conducted The Visitors with]…rigour and sense of drama…
Santiago Martín Bermúdez
Reforma Newspaper, Mexico 1999
José Areán, Musical Director of Onix [New Music Ensemble] since 1998, was a real leader on the podium: he demonstrated a deep knowledge of the works and conducted the group with precision, ease and eloquence.
By José Wolffer
Reforma Newspaper, Mexico, 1998
Carmen…the operatic debut of José Areán… It is not common to find a conductor that encompasses a deep knowledge of the score, a solid technique and the ability to shape with emotion the different moments of the musical discourse. Areán projects his musicality with charisma and ease and possesses that most necessary quality for an opera conductor: to attentively and carefully accompany a singer.
By José Wolffer
Reforma Newspaper, Mexico, 1998
[Onix New Music Ensemble]
An athletic version, rich in angles and sound surfaces, of Planos, by Silvestre Revueltas, conducted with precision and nerve by José Areán…
…A compact and well balanced performance of Chansons innocents by the American David Dzubay… a high-quality new music concert due to its soloists, its ensemble work, José Areán's conducting…
By Juan Arturo Brennan